The Adventures of Capt. Duncan

The Adventures of Capt. Duncan

The Adventures of Capt. Duncan, A Journey From Europe, Over The Arabian Deserts, To the British Settlements in India; Containing, Among Other Particulars, An Account Of The Perils he experienced in those terrific Regions, The Eccentric Humours of His Tartarian Guide, His Shipwreck, and Distresses In The War With Hyder Ally, &c.

Author: Mary Anne Radcliffe
Publisher: Thomas Hurst
Publication Year: 1802
Language: English
Book Dimensions: 11.5cm x 19cm
Pages: 36
University of Virginia Library Catalog Entry, Sadleir-Black Collection: PZ2.R345 1802


Dubiously attributed to Mary Anne Radcliffe when published in 1802, this chapbook tracks a captain’s journey across what’s east of England


Material History

The Sadleir-Black Collection edition of The Adventures of Capt. Duncan wears its history well. Despite its age, the book has maintained its blue cover, bound by a thick string. Frayed and whittled down on the sides, the cover sheets are thinner and frailer than the sheets containing the book’s text, perhaps indicating that the covers have borne the brunt of the wear and tear. The exterior cover notes an extravagant number of salesmen across England responsible for the publishing of the book. The interior cover recognizes this edition as the premium printing copy of the story, costing an additional three pence, up to a total of nine. That distinction, as a premium publication, likely enabled the cover’s survival, as this edition supplied a superior set of craftsmanship and materials.

The bluebook cover of The Adventures of Captain Duncan

With regards to the pages, The Adventures of Capt. Duncan is relatively short. Even amongst these few pages, they are uneven, jetting outward or inward, indicating some combination of both uneven page-cutting and the wear of centuries. The pages themselves are brittle, dry, and yellowed, yet firmer than the cover. When turning the pages, they tend to crunch a bit and move with rigidity.

Following the initial pages that note the book’s publication information, there is an illustration of Captain Duncan in his armor. This serves as a frontispiece, with the inelaborate title The Adventures of Capt. Duncan. On the very next page, the expansive title takes up a full page, declaring The Adventures of Capt. Duncan, A Journey From Europe, Over The Arabian Deserts, To the British Settlements in India; Containing, Among Other Particulars, An Account Of The Perils he experienced in those terrific Regions, The Eccentric Humours of His Tartarian Guide, His Shipwreck, and Distresses In The War With Hyder Ally, &c. This title uses an array of fonts, spacings, and capitalizations on the page, ranging from robotic, direct fonts, to floral and italicized fonts. On the cover, there is a similar mixing of fonts. There are variations even among the spaces between the letters within words, as well as the spacing between lines.

The rest of the book is not nearly as unique. The text itself is fairly plain. There is little spacing between lines and a 1.5 to 2 centimeter margin on the pages. The book is brief, at only thirty-six pages, in the style of gothic chapbooks. The back cover of the book shares the same physical qualities as the blue front cover: it is thin, fragile, and is more sparsely populated with printed text.


Textual History

The Adventures of Captain Duncan was one of two installations in Radclife’s New Novelist’s Pocket Magazine (Brown et al). The magazine’s publishers hoped the magazine would “contain an elegant & chaste collection of Original Novels, Tales, Romances, Lives, Memoirs, Voyages, Travels, &c. together with a judicious Selection from the Writings of those Authors, whose works have in any degree excited public notoriety” but after those first two issues, the project was abandoned (quoted in Potter 64).

The preface of The Adventures of Captain Duncan

As a chapbook, The Adventures of Captain Duncan holds a small place in the larger chapbook publishing landscape. From roughly the late 1790s to the early 1800s, Thomas Hurst published gothic chapbooks from his office at 32 Paternoster Row. He was integral in many of the gothic chapbooks published between 1798 and 1803, including The Adventures of Captain Duncan. Hurst spearheaded the serial Radclife’s New Novelist’s Pocket Magazine, and was also the exclusive seller in England, while the rest of the magazines were sold in Scotland (Potter 64). Another gentleman, Thomas Brown, joined Hurst in publishing Radcliffe’s New Novelist’s Pocket Magazine, as well as The Marvelous Magazine (Potter 64–5).

As the eighteenth century turned to the nineteenth, chapbooks were sold with practices that echo modern multi-level marketing schemes. The primary distributor (Thomas Hurst, for example) would collect a group of subordinates to sell the chapbooks, with the option to sell the books individually or further distribute them to other sellers (Potter 67). Booksellers’ advertisements in newspapers and such reveal an extensive network of this wholesale distribution (Potter 67–8).

Mary Anne Radcliffe was billed as the writer, compiler, and editor of Radclife’s New Novelist’s Pocket Magazine. Her name immediately begets ambiguity with its similarities to the well-known Gothic novelist Ann Radcliffe, but that is not where the issues end. Mary Anne Radcliffe was certainly a real person. She was born Mary Clayton of Nottingham. She was well educated, considering her status and gender (Brown et al). At the mere age of fourteen, she married Joseph Radcliffe, giving her the fateful Radcliffe name. Following her marriage, she dotted across England between Edinburgh, London, and Nottingham (Brown et al). Mary Anne Radcliffe certainly wrote as well. The works most clearly attributable to her are The Female Advocate; or An Attempt to Recover the Rights of Women from Male Usurpation and Memoirs … in Familiar Letters to Her Female Friend. Scholars have doubted her other attributed works, however, which include an array of gothic novels as well as translations of foreign novels (Brown et al).

The frontispiece for The Adventures of Captain Duncan

Most modern scholarship focuses on Mary Anne Radcliffe’s larger Gothic novels rather than her chapbooks, but they reveal a larger practice of misattribution, where certain publishers attached Mary Anne Radcliffe’s name to books in an attempt to sell more—relying on her proximity to Ann Radcliffe’s name (Garside et al). Some of Mary Anne Radcliffe’s attributions are more suspect than others. One such novel, Radzivil, was attributed to her several years after publication. The Fate of Velina de Guidova, which is a translation from Russian that is set in France, was attributed after an even greater wait (Brown et al). Both novels focus on material entirely distinct from The Female Advocate and point to a different author entirely (Brown et al).

Radclife’s New Novelist’s Pocket Magazine has fewer suspect circumstances but still exists within the context of those other misattributions. The magazine correctly identifies Mary Anne Radcliffe’s address and she was attributed at the time of publishing (Brown et al). Some modern scholars are skeptical of Mary Anne Radcliffe being the true author or editor of the pocket magazine, but it nevertheless holds a sharper connection than her other attributions (Garside et al). Whether Mary Anne Radcliffe truly wrote and edited for the magazine or someone else did, The Adventures of Captain Duncan remains a valuable part of the history of chapbooks in England.


Narrative Point of View

The Adventures of Captain Duncan switches between an unidentified third-person narrator and the first-person narration of Captain Duncan, through what appears to be a set of direct statements from Duncan. The third-person narrator functions as an interpreter of those notes. Both styles delve into the captain’s emotions, but his first-person interjections serve as sharper confirmations of the preceding paraphrases of the narrator.

Sample Passage:

As the Captain became familiarised to his Tartar guide, he found him a fellow of infinite humour and much humanity, well acquainted with the world, and endeavoring all he could to alleviate the gloom that frequently clouded his countenance. One principal object with him seemed to be to impress the Captain with an idea of his high importance as a messenger belonging to the Sultan, and that his authority wherever he came was not to be disputed. “ Thus,” says Capt. Duncan, “  whenever we stopped at a Caravansera, he immediately called about him, in the name of the Sultan, for fresh horses, victuals, &c. And though the utmost submission was shown to his will, he nevertheless frequently exhibited his muscular powers by unmercifully belaboring all indiscriminately with his whip, and I was afraid to interfere, fearful that he might think it necessary to give me a flogging to avoid suspicion.” (15)

These two modes of narration function within the larger historical implications of The Adventures of Captain Duncan, an international story that has the power to shape English understandings of lands and cultures beyond England. The reports of Captain Duncan thus operate as a historical primary source within this fictional text. This adds a sense of realism, because it seems as though these could be the words of a real man, who had a real story, who is being studied by a real person. Additionally, several times throughout the book, there are extended passages explaining local customs, none more prominently than when the text explains that during Hajj, in Mecca, the worshippers “enter the former [Masjid al-Haram], and, walking seven times round the little building contained within it, say, ‘This is the house of God and of his servant Abraham’” (10–11). These insights into other cultures gain veracity the same way Captain Duncan’s own story does: through the book’s presentation of his journals as a primary source within the narration.


Summary

Captain Duncan’s journey begins as any journey does: with a departure. In May 1781, he receives word that he must go to India to help sort out his father’s affairs. Duncan leaves his spouse and two daughters in England. Rather than directly sail around the Cape of Good Hope, he travels over land, across Europe and the Middle East en route to India. He dots between European cities like Brussels, Venice, and Augsburg. In Augsburg, Duncan finds himself in a church when a friar indulges him in drink, issuing vague religious proclamations about his journey. The friar is welcoming, joyful, and telling stories that keep Duncan enthralled before continuing his journey.

The title page of The Adventures of Captain Duncan

He reaches a fork in the road at Venice, deciding whether to travel directly through Syria or through Egypt. After opting for a boat ride to Egypt, he meets a young English woman he hopes to bring with him to India, but her guardian stops his pursuits. When he lands in Alexandria, he still heads through Syria, taking his longest stop at Aleppo. His journey is largely defined by the different British people he meets along his travels, and Aleppo is no different. Those expatriates offer comfort, refuge, and rescue to Duncan throughout his trek. He connects with a large, traveling caravan going towards Mecca; one large enough to withstand bands of robbers along their path. It eventually links up with a few more caravans, each boasting legions of soldiers and beasts to fortify their trip.

Once he reaches Mecca, he meets yet another woman who wants to run away, this one suffering in the clutches of an older husband. With their plan hatched, Captain Duncan is quite prepared to sneak away, but the British Consul hears of this scheme and shuts it down. Duncan even faces local legal trouble resultant from his infringement upon a legal marriage, but the Consul smuggles him out of town with a Turkish guide.

The captain quickly irritates the overbearing guide with his mocking of the guide’s sense of seriousness and superiority, leading to some scuffles over horses and such. He specifically objects further when the guide traffics several women via their traveling party, but to no avail. They eventually reach Mosul, where their partnership ends and the captain links up with an Armenian merchant to assist him in his travels. The merchant brings him to the last leg of his journey, where he boards a ship to take him to India.

However, calamity strikes and they misjudge the monsoon patterns of the waterway and condemn their ship to ruin. Despite battling the waters and waves, the ship collapses when a hurricane forms and the crewmates subsequently drift across the sea. They wash ashore at Hydernagur, where Indian locals, who do not take kindly to British colonizers, capture them.

This page introduces traveling actions of the story

When leader Hyder Ally finds out that Captain Duncan is the son of the renowned Colonel Duncan, he wishes to turn Captain Duncan to his side in the war. At first, it comes in bribes, where Hyder offers men and money, but it later comes in threats, where Hyder’s men temporarily hang and torture Captain Duncan, before eventually conceding.

Duncan has a British companion in these troubles, one Mr. Wall. Mr. Wall came on this journey out of financial necessity; he was in love with a woman, and his previously wealthy father had wasted his riches on some poor investments, leaving him destitute and unable to wed. He came to India to try to recoup some wealth, enough to get married. But Mr. Wall never returns to England and dies in Hydernagur, shackled at the feet to the still-living Captain Duncan.

There is still another English expatriate, however, for General Matthews marched into town to save Captain Duncan from his captors. After gaining freedom, Duncan enlists as a negotiator between British and Jemadar forces, who are an independent sect of forces who revolted from Hyder Ally’s son, Tippoo Sahib. The British military wants Jemadar’s support to help gain a valuable garrison to fight back against Sahib. Successful in these negotiations, Captain Duncan continues on his journey, moving farther across India before even venturing out to China. He finally returns to England some three and a half years later.


Bibliography

Brown, Susan, Patricia Clements, and Isobel Grundy, eds. “Mary Ann Radcliffe: Writing.” Orlando: Women’s Writing in the British Isles from the Beginnings to the Present. Cambridge: Cambridge University Press Online, 2006. http://orlando.cambridge.org 3 November 2021.

P. D. Garside, with J. E. Belanger, A. A. Mandal, and S. A. Ragaz. “The English Novel, 1800–1829: Update 4 (June 2003–August 2003).” Cardiff Corvey: Reading the Romantic Text 12 (Summer 2004). http://www.romtext.org.uk/reports/engnov4/ 3 November 2021.

Potter, Franz J. Gothic Chapbooks, Bluebooks and Shilling Shockers, 1797­–1830, University of Wales Press, 2021.

Radcliffe, Mary Anne. The Adventures of Captain Duncan. London, Hurst, 1802.


Researcher: Yusuf Ragab Hacking

Falkner

Falkner

Falkner: A Novel

Author: Mary Shelley
Publisher: Saunders and Otley
Publication Year: 1837
Language: English
Book Dimensions: 3 volumes, each 12cm x 19.4cm
Pages: 953
University of Virginia Library Catalog Entry, Sadleir-Black Collection: PZ2 .S52 F 1837


In this 1837 three-volume novel, set in multiple countries across Europe, Shelley grapples with the issues of one man’s guilt and his attempt to resolve it by adopting a young orphan girl.


Material History

The title page of Falkner, with Rebow’s signature in the upper right corner

Falkner is a lesser-known novel by the famed Mary Shelley. The version held in the Sadleir-Black Collection is the first edition of the text, which was published in 1837 and presents the novel in three volumes, which was a common means of publication at the time. While the spine lists the title as solely the word Falkner, the title page of the novel calls it Falkner: A Novel. We know that this was written by Mary Shelley; however, her full name is not stated in any of the three volumes. The title page in each volume simply says, “By the author of ‘Frankenstein;’ ‘The Last Man,’ &c.”. This is followed by a quote from “Rosalind and Helen” by Percy Shelley (1819). It reads,

“there stood
In record of a sweet sad story,
An altar, and a temple bright,
Circled by steps, and o’er the gate
Was sculptured, ‘To Fidelity!’”

Each volume in this set measures approximately 12 centimeters by 19.4 centimeters and is approximately 2.3 centimeters deep. The volumes are half-bound with leather; this means that the spine and corners are bound in leather, but the rest of the book is not. The leather on the spine is decorated with gold gilding. The cover is covered with blue marbled paper that is noticeably faded around the center on each volume. The edges of the pages within the volumes are also marbled blue.

A bookplate from the personal library of John G. Rebow

The pages within these volumes are of medium thickness; they are not thick, but they are also not extremely thin. Volume I consists of 322 pages, volume II is 312 pages, and volume III is 319 pages, which add up to a total of 953 pages in all. While this sounds like a lengthy read, it feels surprisingly short. There is a lot of white space on the pages, and the margins are wide, which makes each page a quick, short read. The font is not too large or too small, adding to the ease with which the novel can be read. Some pages throughout these volumes have letters or letter/number combinations at the bottom. These are printer notes, used to help the printers print, fold, and order the pages correctly. It should also be noted that in the back of Volume I, there is a front and back page of advertisements from the publisher.

These particular volumes are interesting because they each have a personal bookplate in the front, indicating that they once belonged to John Gurdon Rebow. His signature can be found on the title page of each book as well. The bookplates have call numbers, “D. 2.” written on them that most likely indicate their shelving location in Rebow’s personal library. This can be interpreted as the book being shelved on shelf 2 of bookcase D.

Overall, these particular copies of the volumes of Falkner are unique in their own ways. While clearly a matching set in the color of their marbling, the volumes are worn to varying degrees. The pages are slightly yellowed from time. The volumes clearly show their age, particularly the first volume due to some tearing where the spine was originally bound, but they seem to be in relatively nice condition for books that are centuries old.


Textual History

Falkner is the final novel written by Mary Shelley before her death. Shelley was born in August 1797 and died in February 1851. Her two most well-known works of her career are Frankenstein and The Last Man, both of which are mentioned on the title page of Falkner.

A page of advertisements from Saunders and Otley, printed in the back of Falkner volume 1

Falkner was first published in 1837 by Saunders and Otley in London. This edition was published in three volumes and was printed by Stevens and Pardon, Printers. In the same year, Falkner was published in one volume by Harper & Brothers in New York. (The Sadleir-Black Collection also houses a copy of this one-volume edition.) In addition to these versions, Falkner is also contained in various collections of Mary Shelley’s works, including The Novels and Collected Works of Mary Shelley (1996), edited by Pamela Clemit. In 2017, Falkner was translated into an Italian version, titled Il Segreti di Falkner, or Falkner’s Secret. There are also online editions of this novel. The 1837 edition published by Harper & Brothers has been archived online on the HathiTrust website.

Many advertisements and reviews of Shelley’s Falkner can be found in periodicals published near the time of its first publication. There is a brief advertisement combined with a brief review that can be found in The Standard, in an issue from March 1837. There is a shorter advertisement in an April 1837 issue of John Bull. Overall, the reviews of Falkner seem to be positive. It is ambiguous whether overall positivity is due to the actual success of Falkner or Shelley’s fame from her prior works. The Metropolitan Magazine, in a March 1837 issue, states, “The only fault that we can find with [Falkner] … is, that its tone is too universally sombre” (67). The Literary Gazette in London references “the talent of the writer” in its review of the novel (66). A combination advertisement and review in The Athenæum gives a short, concise summary of the plot of the novel without giving away the ending. At the end of the summary, it explains, “we have thus imperfectly shadowed out the mystery of the novel, but we must leave the unraveling of it to Mrs. Shelley,—satisfied, that if you put yourself under her guidance, you will own that your labour has not been in vain” (75). Many of the reviews show that the novel was often well-received in its time, yet there are some reviews that are not so kind to Shelley’s work. The Examiner contains a much less favorable review of Falkner in February of 1837: “The story of Falkner, faulty as it is, makes a small part of the book, which is swollen out with tedious reflections, and prosing explanations of motives and feelings. It will practice the reader in the art of skipping” (101).

Falkner has been discussed and written about by scholars in regard to varying subjects. Scholars have discussed Falkner both on its own and in the context of Shelley’s works, beginning in the late twentieth century and leading into the twenty-first century.


Narrative Point of View

The story of Falkner is predominantly recounted by an unnamed third-person narrator. The narration is third-person omniscient as the narrator gives insight into the characters’ thoughts and feelings. The narrator also withholds some information. Sentences largely vary in length; some are short and brief, while others are lengthy and feel quite winded. There are moments throughout the novel when the narrator also invokes a first person plural perspective. In these instances, the narrator switches to using a “we” pronoun, rather than the third-person perspective that is used in the majority of the novel.

Sample Passage:

We are all apt to think that when we discard a motive we cure a fault, and foster the same error from a new cause with a safe conscience. Thus, even now, aching and sore from the tortures of remorse for past faults, Falkner indulged in the same propensity, which, apparently innocent in its commencement, had led to fatal results. He meditated doing rather what he wished, than what was strictly just. He did not look forward to the evils his own course involved, while he saw in disproportionate magnitude those to be brought about if he gave up his favourite project. What ills might arise to the orphan from his interweaving her fate with his — he, a criminal, in act, if not in intention — who might be called upon hereafter to answer for his deeds, and who at least must fly and hide himself — of this he thought not; while he determined, that, fostered and guarded by him, Elizabeth must be happy — and, under the tutelage of her relations, she would become the victim of hardhearted neglect. These ideas floated somewhat indistinctly in his mind — and it was half unconsciously that he was building them a fabric for the future, as deceitful as it was alluring. (Volume I, 78–79)

In this passage, the narrator begins using the first person “we.” This allows a generalization—“We are all apt to think”—that relates Falkner to people as a whole. As the narration moves from the first person plural to third person, the opening generalization also paves the way for the narrator’s access into Falkner’s mind. The narrator goes into Falkner’s head and follows his train of thought. This passage is quite long, but it is composed of a mere six sentences. The statement in the middle of the passage, “What ills might arise … the victim of hardhearted neglect,” is one to note because it is the longest sentence given. The third-person point of view allows this sentence to feel akin to stream of consciousness. The dashes between the different parts of the sentence break it up and make it possible to see how each of Falkner’s thoughts connect to one another as he debates what to do with his new charge. The thoughts that do not cross his mind can also be learned through the narrator, in the sentence that notes, “of this he thought not.”


Summary

The marbled cover of Falkner

Falkner follows the story of a young girl named Elizabeth and begins in the town of Treby. Struck with consumption, her father passes away, and her mother dies a few short months later. Just before her death, Elizabeth’s mother begins writing a letter to a woman named Alithea entreating her to take in her daughter and explaining that she does not want Elizabeth to be taken in by her late husband’s family. She dies before she can finish the letter, so it is never sent. The landlord, Mrs. Baker, reads the letter, and takes in Elizabeth, hoping that the girl’s family will one day come looking for her and will reward Mrs. Baker for her kindness. While staying with Mrs. Baker, Elizabeth often goes to her mother’s grave to play, study, and pray, all while feeling close to her mother.

One day, a stranger by the name of John Falkner shows up in Treby and spends a lot of time out of town by himself. He feels guilty because he killed someone, so he goes to the graveyard to kill himself. He makes the mistake of sitting on Elizabeth’s mother’s grave to kill himself, and the young girl stops him. He worries for a young girl out by herself and opts to walk her home. When he meets Mrs. Baker, she tells him Elizabeth’s story and shows him the letter. He is struck by the realization that the woman he killed is the same woman that Elizabeth’s mother was writing to. Upon realizing this, he feels guilty and decides to take Elizabeth with him on his travels, so they leave together for London. Elizabeth begins calling Falkner “papa.” Falkner feels that Elizabeth will be happier with him than with her distant relations, so he chooses to keep her with him. They meet a friend of Falkner’s who tells them that Mr. Neville’s wife has run off with a mysterious lover, and that Mr. Neville is going after them.

Elizabeth and Falkner balance each other’s personalities well: he makes her feel safe, and she is always able to calm his temper. They have been traveling together for years when Falkner decides to hire Miss Jervis, who serves as a governess for Elizabeth. While in Baden, Germany, Elizabeth meets a sad young man, Mr. Neville; his mother was the same Mrs. Neville that ran away from her husband and eloped. Realizing that this boy is the son of Alithea weakens Falkner. He feels guilty for what has become of the boy’s life. He feels that he does not deserve to live, but he no longer wants to kill himself; he decides to join the war in Greece with the goal of dying in battle and wants Elizabeth to return to her family. Elizabeth refuses to leave him, so she stays nearby, and they part from Miss Jervis. Elizabeth desires to save Falkner, but she misses the Neville boy.

While a soldier in Greece, Falkner does not take care of himself because he is still trying to die. He falls ill and is injured in battle by a musketball. The surgeon recommends that he be taken to a place with less dingy air, so they take him to a coastal town. Elizabeth stays by his side until he begins to get better. Falkner decides that since she has saved his life twice, he no longer wishes to die but wants to live for Elizabeth and her happiness. He tells her that he has written of his crime so that she can learn of it in his words after his death.

The pair travels to Italy and meets a group of English people, including Lady Cecil, for whom Miss Jervis is the governess. Falkner and Elizabeth then travel to a different part of Italy where they happen across the young Mr. Neville, which causes Falkner more stress. When they arrive in London, Elizabeth gets sick from the stress of worrying about Falkner. Hearing of the girl’s illness, Lacy Cecil comes to invite her and Falkner to stay with her for two months. Elizabeth goes, but Falkner declines; he promises to join them later. Lady Cecil tells Elizabeth about her brother, Gerard, because she believes they would get along quite well. Elizabeth returns to health while she is staying with Lady Cecil and soon learns that Gerard is none other than her beloved Mr. Neville. He begins to share the supposedly scandalous story of his mother’s disappearance, but relinquishes that duty to Lady Cecil.

Lady Cecil tells Elizabeth the story of the young and beautiful Alithea Neville. She was young when she married Boyvill—formerly Mr. Neville—, but she did her wifely duties well. The two had a son and daughter together; Alithea doted upon the boy, while her husband loved the little girl. Sir Boyvill left for two months for business, and when he returned, his wife and son were out of the house. A storm came that night, and the pair had not returned. Upon searching, they found young Gerard ill in the road, and he said that mamma had been taken off in a carriage with a man named Rupert. It was determined that Alithea had been kidnapped or may be dead. Sir Boyvill, however, believed his wife to have left willingly with the man; Gerard disagreed. He believed that she was either dead or in prison. Sir Boyvill and Alithea’s daughter died less than a year after her mother’s disappearance. Boyvill felt that his wife’s affair had hurt his honor, so he filed for divorce from the missing woman. This meant that Gerard had to testify against his mother; he did but did not want to. The boy ran away to search for his mother, but his father found out and brought him home. Gerard continued to believe his mother was innocent but dead, so he was determined to find her grave. During this time, Sir Boyvill met and married Lady Cecil’s mother.

Now, Gerard is still searching for the truth behind his mother’s disappearance. He leaves Lady Cecil’s home when a man from America claims to have knowledge of his mother. Lady Cecil believes his goal is futile, but Elizabeth supports him in his search. When he comes back from his meeting with Hoskins, the American, he announces that his mother is dead. Hoskins told him about an Englishman named Osborne, who helped a man bury his lover twelve years ago after she drowned in a river, so he wants to go to American to meet Osborne. Elizabeth writes to Falkner about the situation, and he asks her to come home at once.

This page shows how a chapter is denoted and begins

Falkner learns that Lady Cecil desires Gerard and Elizabeth to marry. He believes this to be a good union, but he wants to distance himself from Elizabeth and seek out her biological family. He finds them, but he learns that her father brought dishonor to the family by leaving the church and marrying a poor woman, so her grandfather does not want her. When Elizabeth returns home to Falkner, he worries about what she will think of him considering her new love for Gerard and wonders how much she has changed, but she approaches him with the same love and admiration as before. Gerard comes to say goodbye before he leaves for America, but Falkner tells him not to go because the man he is looking for is standing in front of him. Falkner admits that his name is Rupert Falkner and that he killed the boy’s mother. He gives his written account of the event to Elizabeth and tells her to read it and share it with Gerard.

Falkner’s story tells of his abusive father and his mother’s death when he was a young boy. His father developed a drinking problem and died, so he was taken in by his uncle. His parents called him Rupert, but his uncle called him John, so he mostly went by the latter. He began to visit a woman named Mrs. Rivers and her daughter, Alithea. Mrs. Rivers was distantly related to his mother, and the two women grew up together, but they lost touch when they got married. He spent a lot of time with Mrs. Rivers and her daughter, and the former was always impressing upon him the need to be a good person. In spite of this, Falkner had a temper at school and ended up getting in a fight. He was sent off to the East Indian military college, where he stayed for two years. Alithea wrote to him to let him know that her mother was dying, so he ran away from school to visit and was present when Mrs. Rivers passed. He desired to marry Alithea but was rejected by her father, so he stayed in India as a soldier for ten years. He received word that his uncle and cousin had both passed away, which meant their inheritance became his. When he returned to England, he learned that Alithea’s father had died, but she married in the time he was away. He met her husband, Mr. Neville—now Sir Boyvill—and hated him.

A man by the name of Osborne knew of Falkner’s newly acquired wealth and asked him to assist with his passage to America. Falkner agreed and decided to go to America with him. Before they left, he met with Alithea and learned that she did not love her husband, so he asked her to come to America with them. She said no because she was married and had two children. Falkner thought he could convince her to run away with him, and he asked Osborne to drive the carriage and gave him the instruction not to stop driving until they reached their destination. He went to her house, and walked with her and her young son toward his carriage. Upon talking with Alithea, he changed his mind and decided Alithea should stay with her family. Once they reached the carriage, however, he swept her into it, and Osborne drove them away. She started having convulsions and looked unwell, but Osborne followed his instruction and would not stop. They reached the hut Falkner planned to stop at, and Alithea appeared to recover. He laid her on a couch and stepped outside with Osborne to ready the carriage to return her home with her family. He found Alithea’s body shortly after, drowned in the river. He surmised she had woken up and, in a moment of terror, attempted to cross the stream and return home. The men buried her body, Osborne went off to America, and Falkner ended up in Treby, where he met Elizabeth so long ago.

Elizabeth finishes reading this account and sends it and a letter to Gerard so he can finally learn the truth of his mother’s disappearance. She begs him to be kind to her father, for although he did bad things, he did not kill his mother. Falkner, certain that Gerard will kill him for his crimes, sends proof of Elizabeth’s birth to her family and tells her that they will take her in soon.

Gerard reads Elizabeth’s letter, but he gives Falkner’s written account to his father to read first. Believing that Falkner killed his mother, Gerard contemplates killing the man, but worries about the pain it would cause Elizabeth. Upon reading the letter and finding his wife innocent, Sir Boyvill has Gerard promise that he will avenge her death. Boyvill then leaves home, and Gerard follows soon after to find him. When he finds his father in their old home of Dromore, he is with a group of men from town, and they are uncovering Alithea’s remains. Sir Boyvill plans to have his wife’s remains formally interred and wants a trial for Falkner.

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Elizabeth is out of the house when men come to escort Falkner to prison, so she does not know what has happened. Lady Cecil arrives at their home with another woman, who turns out to be Elizabeth’s aunt. The ladies entreat Elizabeth to go home with them, but she insists on visiting her father because she has just learned of his imprisonment. Her aunt offers her a place in her home as a member of the family, but Elizabeth rejects the offer, stating that she is not a part of their family. She is and will forever be Elizabeth Falkner. Gerard returns and pleads with Elizabeth to go with her family and not to go see Falkner. He admits his love to her, but even this is not enough.

Falkner misses the girl while he is in prison, but he cannot bring himself to write to her. He is surprised when Elizabeth shows up at the prison, but her arrival makes him feel suddenly free. Elizabeth spends most of her time with him in the prison; when they are not together, neither of them feel happy or well. The grand jury decides that Falkner will go to trial for his crimes, but the trial is postponed until they can get Osborne back to England. Someone goes to get Osborne, but he has not yet arrived, and people are getting impatient. During this time, Elizabeth, who has not heard much from Gerard, catches him following and watching her. Falkner learns that Osborne is refusing to come to his trial.

On learning this, Elizabeth wants to travel to America to convince Osborne to come. Gerard decides to go in her place, creating more tension with his father. Gerard finds Hoskins in an attempt to learn of Osborne’s whereabouts and learns that he is already in England under a false name. The appearance of Gerard scares Osborne away, and Gerard assumes the man has boarded a ship to return to America. He plans to follow the man. Osborne visits Falkner and Elizabeth in the prison under his false name. He does not plan to testify in the trial and help Falkner, but Elizabeth changes his mind, and he agrees to come forward. Elizabeth writes a letter to Gerard about the situation, so he does not leave for America.

Gerard writes another letter to Elizabeth to let her know that his father is dying. This means the trial may be delayed again. Sir Boyvill soon dies. Gerard tells them that before he died, his father declared that Falkner is actually innocent. Elizabeth cannot enter the trial with him, so they are forced to separate for a while. The trial begins, and Gerard declares in his testimony that Falkner is innocent. Elizabeth spends her time at home crying and waiting for the results of the trial until her aunt comes to visit and give her support.

Finally, Falkner is found to be innocent and is released. Elizabeth’s aunt offers her home as a place for Falkner and Elizabeth to stay, and they graciously accept. During this time, Elizabeth and Gerard miss each other dearly, but neither knows how to approach the situation, due to their circumstances and Elizabeth’s loyalty to Falkner. Gerard writes to the pair of them, asking if Elizabeth can be his and stating that he will take her and Falkner as a pair of sorts. Falkner writes back to say that if Gerard will come and take his daughter, he will remove himself from their lives. Gerard does not wish to tear Elizabeth from this man whom she loves, so he marries her and makes the best amends he can with Falkner. They all stay together for the rest of their time. Gerard and Elizabeth have a happy life and children of their own, but Falkner never forgives himself for his faults.


Bibliography

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“Falkner.” Examiner, 1515 (1837): 101.

“Falkner.” The Literary Gazette: A weekly journal of literature, science, and the fine arts. 1046 (1837): 66–68.

“Falkner.” The Metropolitan magazine, 1833–1840 18.71 (1837): 65–67.

John Bull (London, England), Issue 853 (Monday, April 17, 1837): pg. 191. New Readerships.

Shelley, Mary. Falkner: A Novel. London, Saunders and Otley, 1837.

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Shelley, Mary. Falkner: A Novel. New York, Harper & Brothers, 1837. HathiTrust, https://hdl.handle.net/2027/dul1.ark:/13960/t5q822n9w.

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Researcher: Kenzie M. Hampton